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	<title>Arthur I. Miller &#187; Latest news</title>
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	<link>http://www.arthurimiller.com</link>
	<description>Welcome to the Website of Arthur I. Miller - to the universe of creativity</description>
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		<title>Book review by Arthur I Miller in New Scientist</title>
		<link>http://www.arthurimiller.com/2011/12/05/book-review-by-arthur-i-miller-in-new-scientist-2/</link>
		<comments>http://www.arthurimiller.com/2011/12/05/book-review-by-arthur-i-miller-in-new-scientist-2/#comments</comments>
		<pubDate>Mon, 05 Dec 2011 11:40:16 +0000</pubDate>
		<dc:creator>Arthur I Miller</dc:creator>
				<category><![CDATA[Latest news]]></category>

		<guid isPermaLink="false">http://www.arthurimiller.com/?p=823</guid>
		<description><![CDATA[Give them an inch World in the Balance: The historic quest for an absolute system of measurement by Robert P. Crease PRECISION and fastidiousness – at first blush the quest for a precise system of measurement might seem a plodding pursuit. But as philosopher Robert P. Crease makes clear in World in the Balance, it [...]]]></description>
			<content:encoded><![CDATA[<p></p><div>
<h2>Give them an inch</h2>
</div>
<p><strong><em>World in the Balance: The historic quest for an absolute system of measurement</em> by Robert P. Crease</strong></p>
<p>PRECISION and fastidiousness – at first blush the quest for a precise system of measurement might seem a plodding pursuit. But as philosopher Robert P. Crease makes clear in World in the Balance, it was anything but.</p>
<p>From prehistory to the present, Crease ties humanity’s search for precision to the history of nations and of ideas. Any measurement must be based on a “standard” that embodies a unit, such as a foot, a finger or a hand. Eventually standards came to be inscribed in stone or metal and stored in protected areas such as the Acropolis for the Greeks, and in later centuries in Paris and Washington DC. Ownership of the standard symbolised political and social power.</p>
<p><a title="Give them an inch" href="http://www.arthurimiller.com/journalism/give-them-an-inch/">Read full review</a></p>
<p>Published in <strong>New Scientist</strong> on Dec 3, 2011</p>
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		<title>New Scientist art review</title>
		<link>http://www.arthurimiller.com/2011/07/14/new-scientist-art-review/</link>
		<comments>http://www.arthurimiller.com/2011/07/14/new-scientist-art-review/#comments</comments>
		<pubDate>Thu, 14 Jul 2011 18:10:58 +0000</pubDate>
		<dc:creator>Arthur I Miller</dc:creator>
				<category><![CDATA[Latest news]]></category>

		<guid isPermaLink="false">http://www.arthurimiller.com/?p=752</guid>
		<description><![CDATA[Escape artists: Breaking out of the lab By Tiffany O&#8217;Callaghan, CultureLab editor New Scientist &#8211; CultureLab &#8211; 12 July, 2011 Art &#38; Science: Merging Art &#38; Science to Make a Revolutionary New Art Movement [...] Curated by historian of science and author Arthur Miller, the show is meant to explore the meaning, and boundaries, of [...]]]></description>
			<content:encoded><![CDATA[<p></p><h2>Escape artists: Breaking out of the lab</h2>
<p>By Tiffany O&#8217;Callaghan, CultureLab editor</p>
<p><em><strong>New Scientist &#8211; CultureLab</strong></em> &#8211; 12 July, 2011</p>
<p><strong>Art &amp; Science: Merging Art &amp; Science to Make a Revolutionary New Art Movement</strong></p>
<p>[...] Curated by historian of science and author Arthur Miller, the show is meant to explore the meaning, and boundaries, of bio-art &#8211; the way that &#8220;artists are taking science out of the lab,&#8221; Miller says.</p>
<p>A perfect example of this is the multimedia projection, <em>Imagine Tree</em>, by the artists Ken and Julia Yonetani which uses electron microscopy to capture photosynthesis and respiration of leaves. The artists have augmented the footage, which zooms in to an astonishingly minute level, with audio of sighs and hisses, and visual bursts of what appears to be steam, creating the sensation that the leaves are breathing. Yet just as you come to envision the gasping pores as tiny mouths, they begin to blink, and slowly morph into eerie eyes that grow in size as the artists zoom out. [...]</p>
<p><a title="Art review in New Scientist" href="http://www.newscientist.com/blogs/culturelab/2011/07/escape-artists-breaking-out-of-the-lab.html" target="_blank">Read more</a></p>
<p>&nbsp;</p>
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		<title>Times Higher Education art review</title>
		<link>http://www.arthurimiller.com/2011/07/10/times-higher-education-the-pick-art-science/</link>
		<comments>http://www.arthurimiller.com/2011/07/10/times-higher-education-the-pick-art-science/#comments</comments>
		<pubDate>Sun, 10 Jul 2011 12:40:52 +0000</pubDate>
		<dc:creator>Arthur I Miller</dc:creator>
				<category><![CDATA[Latest news]]></category>

		<guid isPermaLink="false">http://www.arthurimiller.com/?p=748</guid>
		<description><![CDATA[Artifice that shapes our ends By Matthew Reisz Times Higher Education &#8211; The Pick &#8211; 7 July, 2011 Art &#38; Science: Merging Art &#38; Science to Make a Revolutionary New Art Movement Davide Angheleddu&#8217;s corroded bronze sculptures transform the illustrations of plankton taken from a 1904 book by the German philosopher and naturalist Ernst Haeckel, [...]]]></description>
			<content:encoded><![CDATA[<p></p><h2>Artifice that shapes our ends</h2>
<p>By Matthew Reisz</p>
<p><em><strong>Times Higher Education &#8211; The Pick</strong></em> &#8211; 7 July, 2011</p>
<p><strong>Art &amp; Science: Merging Art &amp; Science to Make a Revolutionary New Art Movement</strong></p>
<p>Davide Angheleddu&#8217;s corroded bronze sculptures transform the illustrations of plankton taken from a 1904 book by the German philosopher and naturalist Ernst Haeckel, Art Forms of Nature, into a totally different medium. Strangely beautiful, they stand on the frontier between the industrial and the organic &#8211; a frontier increasingly blurred by technology, and where many of our deepest anxieties and ethical challenges lurk. This exhibition (from 8 July to 24 September) offers a series of frequently disturbing reports on what artists have found there.</p>
<p>There is nothing particularly new about artists being inspired by science, as curator Arthur I. Miller, emeritus professor of history and philosophy of science at University College London, reminds us in the exhibition catalogue. Picasso was interested in X-rays, Dali in relativity and quantum physics. Yet today&#8217;s artists who go into the lab to collaborate with biologists have some fascinating new media with which to work. [...]</p>
<p><a title="Times Higher Education review of Art &amp; Science: Merging Art &amp; Science to Make a Revolutionary New Art Movement" href="http://www.timeshighereducation.co.uk/story.asp?sectioncode=26&amp;storycode=416758&amp;c=2" target="_blank">Read more</a></p>
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		<title>Merging Art &amp; Science &#8211; e-Catalogue available online</title>
		<link>http://www.arthurimiller.com/2011/07/10/merging-art-science-e-catalogue/</link>
		<comments>http://www.arthurimiller.com/2011/07/10/merging-art-science-e-catalogue/#comments</comments>
		<pubDate>Sun, 10 Jul 2011 11:23:58 +0000</pubDate>
		<dc:creator>Arthur I Miller</dc:creator>
				<category><![CDATA[Latest news]]></category>

		<guid isPermaLink="false">http://www.arthurimiller.com/?p=744</guid>
		<description><![CDATA[Art &#38; Science: Merging Art &#38; Science to Make a Revolutionary New Art Movement Exhibition at GV Art Gallery, London 8 July – 24 September 2011 Click here to download exhibition e-Catalogue in PDF format Merging Art &#38; Science Science is changing our world and our lives at an ever-increasing rate. But today artists are [...]]]></description>
			<content:encoded><![CDATA[<p></p><h2>Art &amp; Science: Merging Art &amp; Science to Make a Revolutionary New Art Movement</h2>
<p><strong>Exhibition at GV Art Gallery, London</strong></p>
<p><strong>8 July – 24 September 2011</strong></p>
<p><a title="Art &amp; Science: Merging Art &amp; Science to Make a Revolutionary New Art Movement" href="http://www.gvart.co.uk/press/GV%20Art%20-%20Art%20&#038;%20Science%20-%20e-catalogue.pdf" target="_blank">Click here to download exhibition e-Catalogue in PDF format</a></p>
<h3>Merging Art &amp; Science</h3>
<p>Science is changing our world and our lives at an ever-increasing rate. But today artists are bringing science out of the laboratory. Nowhere is this more evident than in biology-inspired art which, by its very nature, necessitates collaboration between an artist and a scientist. This is the theme of the exhibition Merging Art &amp; Science.</p>
<p>Once art and science seemed diametrically opposite; but these days some of the most innovative artists are fusing art and science to create a brand new art movement inspired by science. Striving to visualise the invisible and what it will mean to be human in the future, they create images and objects of stunning beauty, redefining the notion of ‘aesthetic’ and of what is meant by art.</p>
<p>Artists and scientists have always tried to fathom the reality beyond appearances, but it was really only with Isaac Newton, and the onset of the Age of Rationalism in the 17th century, that a distinction was made between the two. In the centuries that followed, science and technology were seen as the real pursuit of truth, while art — which had the role of representing people and landscape — seemed like mere entertainment. With the onset of the avant-garde, and of modernity, the two began to merge with greater and greater intensity. [...]</p>
<p><a title="Art &amp; Science: Merging Art &amp; Science to Make a Revolutionary New Art Movement" href="http://www.arthurimiller.com/exhibitions/art-and-science/">Click here to read full essay</a> or download e-Catalogue below:</p>
<p><embed width="100%" height="375" src="http://www.arthurimiller.com/wp-content/uploads/2011/07/GV-Art-Art-Science-e-catalogue.pdf"></embed></p>
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		<title>Book review by Arthur I. Miller in Physics World</title>
		<link>http://www.arthurimiller.com/2011/06/03/book-review-by-arthur-i-miller-in-physics-world/</link>
		<comments>http://www.arthurimiller.com/2011/06/03/book-review-by-arthur-i-miller-in-physics-world/#comments</comments>
		<pubDate>Fri, 03 Jun 2011 10:53:23 +0000</pubDate>
		<dc:creator>Arthur I Miller</dc:creator>
				<category><![CDATA[Latest news]]></category>

		<guid isPermaLink="false">http://www.arthurimiller.com/?p=715</guid>
		<description><![CDATA[A scientist, not a cartoon Quantum Man: Richard Feynman&#8217;s Life in Science by Lawrence Krauss Since his death in 1988, Richard Feynman has become something of an industry. In addition to several biographies, there are published collections of Feynman&#8217;s essays and lectures, including just about every scrap of paper he ever scribbled on. Much of [...]]]></description>
			<content:encoded><![CDATA[<p></p><h2>A scientist, not a cartoon</h2>
<p><em><strong>Quantum Man: Richard Feynman&#8217;s Life in Science</strong></em> by Lawrence Krauss</p>
<p>Since his death in 1988, Richard Feynman has become something of an industry. In addition to several biographies, there are published collections of Feynman&#8217;s essays and lectures, including just about every scrap of paper he ever scribbled on. Much of this presents an image of the man as bongo drummer, player of practical jokes and major-league womanizer, who somehow turned out groundbreaking science in his spare time. But let&#8217;s face it: when it comes to Feynman&#8217;s personal life, we really do not know what to believe. Murray Gell-Mann, Feynman&#8217;s long-time colleague at the California Institute of Technology, once famously grumbled that Feynman &#8220;spent a great deal of time and energy generating anecdotes about himself&#8221;. Most of his adventures do little, if anything, to illuminate Feynman the physicist.</p>
<p>In Quantum Man: Richard Feynman&#8217;s Life in Science, the scientist, science writer and eminent spokesman for science Lawrence Krauss focuses on Feynman&#8217;s research, thus providing a much-needed corrective to this caricature. What emerges is a portrait of a man who worked long hours to understand physics. Physics was Feynman&#8217;s heart and soul, and Krauss has done a superb job of showing this in his book, taking us through Feynman&#8217;s oeuvre as if teaching a masterclass. [...]</p>
<p><a title="Book review by Arthur I Miller - Quantum Man: Richard Feynman's Life in Science by Lawrence Krauss" href="http://physicsworld.com/cws/article/indepth/46157" target="_blank"><strong>Click here to read full article</strong></a></p>
<p>Published in <strong>Physics World</strong> on Jun 2, 2011</p>
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		<title>Listen to Arthur I Miller on Resonance.fm</title>
		<link>http://www.arthurimiller.com/2011/04/30/listen-to-arthur-i-miller-on-resonance-fm/</link>
		<comments>http://www.arthurimiller.com/2011/04/30/listen-to-arthur-i-miller-on-resonance-fm/#comments</comments>
		<pubDate>Sat, 30 Apr 2011 11:07:18 +0000</pubDate>
		<dc:creator>Arthur I Miller</dc:creator>
				<category><![CDATA[Latest news]]></category>

		<guid isPermaLink="false">http://www.arthurimiller.com/?p=689</guid>
		<description><![CDATA[Click the play button below to listen to Technology&#8217;s Impact On The Modern World by Professor Arthur Miller, an interview on Henry Scott-Irvine Presents on Resonance.fm. Technology&#39;s Impact On The Modern World By Professor Arthur Miller by Henry Scott-Irvine Presents on Mixcloud]]></description>
			<content:encoded><![CDATA[<p></p><p>Click the play button below to listen to <strong>Technology&#8217;s Impact On The Modern World</strong> by Professor Arthur Miller, an interview on <a title="Henry Scott-Irvine Presents" href="http://www.mixcloud.com/henrysgigs/" target="_blank">Henry Scott-Irvine Presents</a> on Resonance.fm.</p>
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<p style="display:block; font-size:12px; font-family:Helvetica, Arial, sans-serif; margin:0; padding: 3px 4px 3px 4px; color:#999;"><a href="http://www.mixcloud.com/henrysgigs/technologys-impact-on-the-modern-world-by-professor-arthur-miller/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=cloudcast_link" target="_blank" style="color:#02a0c7; font-weight:bold;">Technology&#39;s Impact On The Modern World By Professor Arthur Miller</a> by <a href="http://www.mixcloud.com/henrysgigs/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=profile_link" target="_blank" style="color:#02a0c7; font-weight:bold;">Henry Scott-Irvine Presents</a> on <a href="http://www.mixcloud.com/?utm_source=widget&amp;utm_medium=web&amp;utm_campaign=base_links&amp;utm_term=homepage_link" target="_blank" style="color:#02a0c7; font-weight:bold;"> Mixcloud</a></p>
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		<title>Arthur I. Miller interviewed on creativity in art and science</title>
		<link>http://www.arthurimiller.com/2011/04/13/interview-on-creativity-in-art-and-science/</link>
		<comments>http://www.arthurimiller.com/2011/04/13/interview-on-creativity-in-art-and-science/#comments</comments>
		<pubDate>Wed, 13 Apr 2011 09:49:04 +0000</pubDate>
		<dc:creator>Arthur I Miller</dc:creator>
				<category><![CDATA[Latest news]]></category>

		<guid isPermaLink="false">http://www.arthurimiller.com/?p=679</guid>
		<description><![CDATA[Art and science: bonded by creativity If you were asked to define creativity, what would you say? The chances are that your definition will vary with others – many others. There is no instruction manual. While the creation of certain products may follow a ruleset, this process isn&#8217;t creativity per se. So, creativity is perhaps [...]]]></description>
			<content:encoded><![CDATA[<p></p><h2>Art and science: bonded by creativity</h2>
<p>If you were asked to define creativity, what would you say? The chances are that your definition will vary with others – many others. There is no instruction manual. While the creation of certain products may follow a ruleset, this process isn&#8217;t creativity per se.</p>
<p>So, creativity is perhaps more concerned with a realisation of something intangible: turning loosely-formed but clearly-visualised ideas into something that is truly groundbreaking. By this broader definition, creativity not just informs artists to produce spectacular results, but also scientists, given that the common quest for artists and scientists is to effectively visualise the invisible.</p>
<p>Arthur Miller&#8217;s work focuses on the cognitive processes and powers of visualisation that enable the boldest and most powerful creators to see a world which exists beyond sense perception, where there resides objective truth. [...]</p>
<p>Read full article at <a title="Imperica" href="http://www.imperica.com/features/art-and-science-bonded-by-creativity" target="_blank"><strong>Imperica.com</strong></a></p>
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		<title>Watch Arthur I. Miller on BBC News Special &#8216;Japan: The Catastrophe&#8217;</title>
		<link>http://www.arthurimiller.com/2011/03/21/japan-the-catastrophe/</link>
		<comments>http://www.arthurimiller.com/2011/03/21/japan-the-catastrophe/#comments</comments>
		<pubDate>Mon, 21 Mar 2011 10:44:22 +0000</pubDate>
		<dc:creator>Arthur I Miller</dc:creator>
				<category><![CDATA[Latest news]]></category>

		<guid isPermaLink="false">http://www.arthurimiller.com/?p=673</guid>
		<description><![CDATA[http://www.youtube.com/watch?v=TLEpG7W5fGc In a BBC News Special &#8216;Japan: The Catastrophe&#8217;, Humphrey Hawksley reports on Japan&#8217;s worst crisis since the Second World War, and looks at the implications for the future. Arthur I Miller comments on the nuclear part of the situation.]]></description>
			<content:encoded><![CDATA[<p></p><p><a href="http://www.youtube.com/watch?v=TLEpG7W5fGc">http://www.youtube.com/watch?v=TLEpG7W5fGc</a></p>
<p>In a BBC News Special <strong>&#8216;Japan: The Catastrophe&#8217;,</strong> <strong>Humphrey Hawksley</strong> reports on Japan&#8217;s worst crisis  since the Second World War, and looks at the implications for the future.</p>
<p>Arthur I Miller comments on the nuclear part of the situation.</p>
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		<title>Watch Arthur I. Miller in conversation at Jaipur Literature Festival</title>
		<link>http://www.arthurimiller.com/2011/02/02/jaipur-literature-festival-session-video/</link>
		<comments>http://www.arthurimiller.com/2011/02/02/jaipur-literature-festival-session-video/#comments</comments>
		<pubDate>Wed, 02 Feb 2011 11:45:13 +0000</pubDate>
		<dc:creator>Arthur I Miller</dc:creator>
				<category><![CDATA[Latest news]]></category>

		<guid isPermaLink="false">http://www.arthurimiller.com/?p=647</guid>
		<description><![CDATA[Stranger than fiction Arthur I. Miller in conversation with Abha Dawesar at the Jaipur Literature Festival 2011. Presented by ICCR Watch session video below: D5DH 01-(94) from Dreamcast.in on Vimeo.]]></description>
			<content:encoded><![CDATA[<p></p><h2>Stranger than fiction</h2>
<p><strong>Arthur I. Miller</strong> in conversation with <strong>Abha Dawesar</strong> at the <strong>Jaipur Literature Festival 2011</strong>.<br />
Presented by ICCR</p>
<p>Watch session video below:</p>
<p><iframe src="http://player.vimeo.com/video/19267301?title=0&amp;byline=0&amp;portrait=0&amp;color=ffffff" width="600" height="450" frameborder="0"></iframe>
<p><a href="http://vimeo.com/19267301">D5DH 01-(94)</a> from <a href="http://vimeo.com/user2830086">Dreamcast.in</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
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		<title>Watch Arthur I. Miller on BBC4&#8242;s &#8216;Beautiful Equations&#8217;</title>
		<link>http://www.arthurimiller.com/2010/12/21/beautiful-equations/</link>
		<comments>http://www.arthurimiller.com/2010/12/21/beautiful-equations/#comments</comments>
		<pubDate>Tue, 21 Dec 2010 11:30:24 +0000</pubDate>
		<dc:creator>Arthur I Miller</dc:creator>
				<category><![CDATA[Latest news]]></category>

		<guid isPermaLink="false">http://www.arthurimiller.com/?p=620</guid>
		<description><![CDATA[http://www.youtube.com/watch?v=l_QoEUmwVPU Artist and writer Matt Collings takes the plunge into an alien world of equations. He asks top scientists to help him understand five of the most famous equations in science, talks to Stephen Hawking about his equation for black holes and comes face to face with a particle of anti-matter. Along the way he [...]]]></description>
			<content:encoded><![CDATA[<p></p><p><a href="http://www.youtube.com/watch?v=l_QoEUmwVPU">http://www.youtube.com/watch?v=l_QoEUmwVPU</a></p>
<p><em>Artist and writer Matt Collings takes the plunge into an alien world of equations. He asks top scientists to help him understand five of the most famous equations in science, talks to Stephen Hawking about his equation for black holes and comes face to face with a particle of anti-matter.</em></p>
<p><em>Along the way he discovers why Newton was right about those falling apples and how to make sense of E=mc2. As he gets to grips with these equations he wonders whether the concept of artistic beauty has any relevance to the world of physics.</em></p>
<p><strong><a title="Watch Arthur I. Miller on Beautiful Equations" href="http://www.bbc.co.uk/programmes/b00wltbm">Click here to watch full episode again online</a><br />
</strong></p>
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